1 - 20 of 41 Works in Eddie Diaz & Helena Diaz (9-1-1 TV)
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They should all be dealing with things. Talking about their grief and wanting to move forward.
They obviously don’t do any of that.
Chris stays stuck on the events that caused him to move.
Eddie doesn’t know who he is.
Buck can’t stop falling apart.
Or what if this was a storyline after Bobby died. Everyone trying their best to heal, just hoping it happens without trying.
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A call from Bobby sends Eddie racing home to Los Angeles. Buck is in a coma, and Eddie refuses to let anyone stop him from getting Christopher to the people who love him most. Aside from himself
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Love blossoms between Eddie Diaz, a young man on the margins of society and Evan Buckley, a disenfranchised drifter as they embark on a 2,000-mile odyssey through the backroads of America. However, despite their best efforts, all roads lead back to their terrifying pasts and a final stand that will determine whether their love can survive their differences.
or, the buddie bones and all au
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Buck has spent most of his life locked in a tower, happily, he might add. He'd given up his life as a prince, and while he will never regret it, he wishes his dear sister would write back. Desperate to feel the connection they had, he strikes a deal with a trespassing thief to see the floating lanterns up close, one last time.
Eddie Diaz never lets himself want anything. Not when his son’s future depends on him stealing, doing whatever it takes to provide. But when he takes the crown, his last-ditch effort to finally stop running, he realises too late that he’s stolen more than he bargained for. Now, with half the kingdom at his heels, his only way out is a strange man with impossible hair and an even more impossible demand.
Two days. One journey. And a new dream neither of them is ready for.
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Buck knows that hand, and he knows that voice, how could he forget it? but why does it sound so different yet so familiar at the same time?
Buck sees Eddie for the first time months after Eddie gets fired, but its not Eddie, its a shell of the man Eddie used to be.
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Eddie watched her carefully as her belly grew. He’d been too young to understand when she had Sophia, but this time he brought her water when she threw up and made her cereal so she’d have something in her stomach.
“You have to take care of your mom,” Ramon told Eddie, who nodded seriously. “She is older now than when she had you, so it is harder on her body.”
Her weight ticked upward and her balance shifted, and Ramon took extra travel days to build up their savings for the baby. She rolled into his cold side of the bed at night and warmed herself with her own fury at his absence.
Eddie kept bringing her cereal into the third trimester, well after she was past the morning sickness, as though that would help anything.
“Will you stop,” she hissed. “I already have to clean up after you. I don’t need soggy cereal.”
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Or: Helena Diaz, motherhood, and family cycles.
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- Part 3 of author's favorites
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“Eat,” Buck instructs. His tone is gentle and private, but there’s an undertone to it, one that Eddie knows well. It’s a firmness, something akin to a hand pressing down on the back of his neck.
“C’mon, man—”
A hand lands on Eddie’s other shoulder, thumbs pressing into Eddie’s shoulder blades, working in small, tight circles.
Eddie’s lashes flutter, a soft exhale escaping him.
“Come on, half the bowl. I know you didn’t eat breakfast, and lunch won’t be ready for another thirty.” Buck’s voice is edged with concern, and leaves very little space to argue. It’s only after Buck points it out that Eddie realises how hungry he is.
Suddenly, thumbs shift, pressing into the spot just at the base of his neck where he always holds a lot of tension, the muscles taut and straining with stress.
Another soft noise escapes Eddie. A part of Eddie wants to argue, but a shameful, insistent part of him is so grateful not to have to decide. He didn’t have to decide to eat, he didn’t have to decide what to eat, how much to eat, or when his next meal would be.
All Eddie has to do is relax under Buck’s hands and pick up a piece of fruit.
OR The joy of letting your boyfriend take care of you
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Chris is home. Buck and Eddie are something. Bobby is alive and well. Maddie and Chim have their baby.
Eddie feels ok and thinks about the joy is allowing.
Of course new memories pop up and he does what he thinks is best. Push them aside.
Or what if Eddie tried to forget some things about his childhood but something brings it all back and doesn’t let him hide it for long
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Buck's grandmother comes to the 118 after she sees that the 118 responded to the ferries wheel incident.
The 118 find out that they don't know everything about Buck that they thought they did.
Come and see how Buck takes the world by storm and more secrets are revealed.
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She was a disappointing son, but maybe she could be a good daughter.
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Eddie visits her mother in Texas.
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Helena visits LA. Buck and Eddie decide to marry.
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- Part 2 of come back to me: no returns allowed
- Part 4 of Buddie Week 2025
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What if Bobby and Athena were married before season 2 started.
What if Bobby was Buck's biological dad.
What happens when Athena parents find out that Buck is their grandson as well.
Come and read to find out and enjoy the ride.
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When Helena and Ramon Diaz rush to Los Angeles after learning their son Eddie was shot, they’re unprepared for the life he’s built without them. Reeling from the revelation that Evan "Buck" Buckley—a man they’ve never met—is not only Eddie’s caregiver but Christopher’s legal guardian, their attempts to reclaim their place in their son’s life unravel into a clash of generations, values, and unspoken truths.
As Eddie recovers under Buck’s steadfast support, tensions ignite: Helena confronts her failures as a mother, Ramon grapples with Eddie’s bisexuality and distrust of tradition, and Christopher fiercely defends the only stability he’s ever known. With Isabel Diaz mediating and the 118 silently standing guard, the Diazes are forced to reckon with what family really means—and who gets to define it.
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Isabel calls to tell them Eddie's been shot on a Thursday afternoon and by lunch on Friday Helena and Ramon are landing at LAX. When they land, they learn Eddie's already home recovering and has been for two weeks.
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Or, Helena (and Ramon) tries to find a way back into Eddie's life and doesn't know what to make of finding Buck around every corner she turns.
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Helena and Ramon Diaz rush to Los Angeles after hearing their son Eddie has been shot, only to discover that he’s already home recovering, with Christopher and an unexpected presence—Evan “Buck” Buckley—firmly at his side. As Helena grapples with the realization of how much of Eddie’s life she’s missed, old wounds and long-buried regrets surface.
Navigating the awkward terrain of reconciliation, Helena finds herself watching Buck’s easy presence in Eddie and Christopher’s lives. He’s not just a friend—he’s family. But as Eddie and Helena confront their strained relationship, new truths about Buck and Eddie’s bond come into focus.
In a home filled with love, laughter, and a surprising number of PB&Js, Helena must decide whether she’s ready to let go of the past and embrace the future Eddie has built. Because sometimes, family isn’t about where you come from—it’s about who shows up when it matters most.
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Eddie wants Chris, Eddie's Parents want to restart with a new son.
Buck refuses to allow that to happen.
⚠️TW⚠️ Homophobic Slurs
Series
- Part 1 of 9-1-1 Buddie Confession
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Short Analysis on Eddie Diaz, Beloved 9-1-1 Character by buddieorelse
Fandoms: 9-1-1 (TV)
08 Apr 2025
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This is not a fic. Just a character analysis I threw together in a few days because Eddie Diaz is the character of all time and deserves so much love. I know it doesn’t cover everything but I really wanted to focus in on how his upbringing has brought him to where he is today and how it impacts his worldview and relationships with others.
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The parallels between Pink Pony Girl and Eddie Diaz's storyline — An essay by castiny
Fandoms: 9-1-1 (TV)
07 Apr 2025
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In Chappel Roan's song "Pink Pony Club", a narrative unfolds of a young person leaving a repressive homeyown to discover joy and freedom, expressed through dancing and the liberating spirit of Los Angeles. In the TV series 9-1-1, Eddie Diaz's story parallels this journey with stricking emotional and thematic resonance. When read through a queer-coded lens, Eddie's arc—particularly across Seasons 7 and 8— mirrors the very essence of Pink Pony Club. From familial pressure to emotional repression, to self-discovery and literal dance, the metaphor becomes alive.
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I hate it here, so I will go to secret gardens in my mind by Anonymous
Fandoms: 9-1-1 (TV)
06 Apr 2025
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Finally, he reached for the stick, breath held tight in his chest.
Two lines.
His throat caught a stunned sound somewhere between a laugh and a gasp slipping out. “Oh my god,” he whispered, voice shaky.
Pregnant.
Again.
He wanted to feel excited and let the joy swell in his chest, spilling out in the form of a breathless call to Buck, to run into his arms and blurt out the news with a grin too wide to contain. But instead, he was here. At his parents’ house in Texas. The one place he dreads to be at.
or Eddie finds out he’s pregnant in Texas, and Buck isn’t there with him to celebrate. That is until he shows up at his front door.
Series
- Part 4 of pregnant eddie au
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Eddie is in Texas, surrounded by his evil mother, his weirdly supportive father, and the ghost of every bad decision he’s ever made. Meanwhile, Buck is in LA, struggling with his emotions—which definitely don’t include feelings for Eddie (except they do).